What Kenna and Mac Carron found was that the epics fell between the real networks and the fictional ones. The network in The Iliad is relatively realistic, and Beowulf's also has realistic aspects, with the exception of the connections to Beowulf himself. That chimed with the idea from the humanities that he, unlike some others in the story, may not have existed. The Táin's network was more artificial. Interestingly, however, they found that a lot of the Táin's unreality was concentrated in just a few, grotesquely over-connected characters. When they theorized that some of those characters might actually be amalgams — for instance, that some of the times the queen of Connacht is said to speak to someone, it might be a messenger speaking for her instead — the network began to look more realistic. At least from a social network perspective, perhaps the Táin is not as fantastical as its reputation would suggest, the researchers proposed. That doesn't mean the events really happened, or that the people are real. But it raises the question of why the network looks the way it does.You can read the article The Viking Facebook here.
In First Things, Dale M. Coulter takes a look at the life and influence of Jacques le Goff, who passed away earlier this year. He notes that:
Le Goff sought to help Europeans recognize themselves as still connected by the cultural fabric of a common medieval civilization. Along with his fellow members of the Annales school, he also strengthened the case for the long Middle Ages, extending them all the way to the mid-nineteenth century. Le Goff’s body of work, then, stands as a challenge to historians who argue for the Italian Renaissance and Reformation as a break that unleashed a series of forces, intended or not, ultimately leading to the current social imaginary.Click here to read the article The Good Historian Resembles an Ogre
The Australian Broadcasting Corporation’s Radio National network offers a look at the world of competitive jousting at an event taking place just outside Sydney. One of the competitors, L. Dale Walter explains how dangerous this sport can be:
"I broke my back in 2011 jumping off my horse when he was slipping in the mud and falling at the end of a list. We came in, I went to pull him up, it was slippery, he started to fall, and I had two pictures in my head: one him falling across my leg, which would shatter my leg, and more scary to me, him falling with his legs crossed, which would shatter his leg."You can read the article and listen to their broadcast at Competitive jousters take medieval re-enactment seriously
I say the original King Arthur rules, and I have no tolerance for a politically correct “modernization” of the story. Everybody knows there was no Sir Lancelot or Holy Grail in the original King Arthur story, as told by Geoffrey of Monmouth in Historia Regum Britanniae in the early 12th century. Lancelot and the Grail were rudely added by Chrétien de Troyes 50 or 60 years later, around 1180. Are we really going to tolerate some French upstart turning King Arthur from a warrior into some kind of romantic soap-opera star just because it suited the spirit of the times?You can read the full article - Hero mythbusters have gone too far - here
What else should you also check out:
Five Tips for Sieging your Favourite Medieval Castle - the good people at Battle Castle have the pictorial evidence of what the really watch out for when going castle-hopping!
The first episode of the new podcast Drunk Archaeology:
The medieval band Vagarem has just released their new album "Codex Bricolia". You can hear some of their sounds in this YouTube video:
Please visit their Facebook page for details.
