The Riddle Of Mark Twain's Passion For Joan Of Arc

Mark Twain’s obsession with Joan of Arc has to rank among the most baffling and least talked about enigmas in American literature. Even for those entrenched within the competitive world of Twain scholarship, stories like the one above are usually treated as interesting, but ultimately trifling, anecdotes, illustrative of the eccentricities of a predictably unconventional man.

 The same might also be said of his book about the French heroine. Published in 1896, when its author was 61, Personal Recollections of Joan of Arc has long been viewed as something of an aberration, a curio—the type of genre-bending work that a bored, established writer often undertakes in order to buck audience expectations. Narrated by a fictionalized version of Joan’s servant and scribe, Sieur Louis de Conte, the book spans the majority of Joan’s life, beginning with her childhood in eastern France and ending with her questionable trial and execution. While other Twain novels such as A Connecticut Yankee in King Arthur’s Court and The Prince and the Pauper are also set in medieval Europe, far from the author’s more familiar milieu of mid-19th century Missouri, Recollections is unique in its somber tone.

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