Tuesday, April 07, 2009

Update on the Earthquake in Abruzzo




The Italian news agency ANSA reported that two strong aftershocks, one registering 4.7 on the MMS scale and lasting for around a minute, shook buildings at 11:27 Tuesday and resulted in shaky plaster and cornices collapsing in L'Aquila. The aftershocks caused panic among survivors who had spent the night in their cars outside their homes, many of whom fled away from the buildings fearing further collapse.

Government officials also noted that between 10,000 to 15,000 buildings damaged or destroyed, and that 30 million euro has been requested by culture officials for emergency works to shore up the most important architectural treasures.



Earthquake hits medieval Italian city of L'Aquila





At least 200 people have people have killed and more than 1500 injured in the Abruzzo region of Italy after an earthquake struck near the city of L'Aquila. The earthquake measured 6.3 on the Richter scale, and has left nearly all medieval monuments in L'Aquila damaged. The bell tower of the Basilica of San Bernardino has collapsed and its apse was seriously damaged. The church of Anime Sante in Piazza Duomo no longer has a dome. The Cathedral of L'Aquila was not damaged. There are also reports on damage to the Basilica of Santa Maria in Collemaggio.

In L’Aquila, the regional capital, the earthquake caused “significant damage to monuments,” said Giuseppe Proietti, secretary general of the Italian Culture Ministry. The rear part of the apse of the Romanesque basilica of Santa Maria di Collemaggio, much of which was restored in the 20th century, collapsed and cupolas in at least two churches in the historic center had cracked open. The Basilica, with its famed pink-and-white jewel-box façade, was the site of the coronation of Pope Celestine V in 1294 and thousands of pilgrims still flock there each year.

The third floor of the 16th-century castle that houses the National Museum of Abruzzo was also affected by the quake, though officials have not been able to verify the damage to the art collection there.

Created in 1950, the Museum unified the collections of the civic and diocesan museums as well as a private collection of paintings from the 17th and 18th centuries and includes a beautifully preserved fossilised skeleton of a prehistoric elephant found near the town in the 1950s.

The castle suffered a collapse on its third floor and is too dangerous to enter, according to Proietti. "The store rooms where damaged works are kept safe are also in areas that have collapsed or unstable," said Proietti, who added that he was gathering a team of heritage experts from other regions to help salvage the works.

The Porta Napoli, the oldest and most beautiful gate to the city built in 1548 in honour of the Holy Roman Emperor Charles V, was destroyed in the quake.

“The situation is very serious,” but findings are at a preliminary stage, Mr. Proietti said. He added that only after firefighters and civil protection teams had concluded their rescue efforts and search for survivors would the state’s art officials be allowed to enter into the rubble-strewn cities to calculate the material losses to Abruzzo’s cultural heritage.

“Right now, getting around is impossible,” he said in a telephone interview.

Monday’s earthquake was not the first to strike the central Italian city. In 1703, a quake destroyed much of the medieval historic center, which was then rebuilt in the Baroque style, according to Alessandro Clementi, who has written several books on the history of L’Aquila, which was founded in the 13th century and had its moment of greatest socioeconomic importance in the Renaissance.

Throughout the region of Abruzzo there are reports of severe damage in several towns and cities, including:

Santo Stefano di Sessanio: the quake brought down the medieval stone Medicean tower, the symbol of the fortified hillside village.

Celano: The main altar of the Baroque Sant'Angelo Church collapsed in this town, the seat of feudal lords who ruled the Abruzzo and Molise regions in the Middle Ages.

Teramo: The quake badly damaged the facade of the church of Sant'Agostino, shifted a bell tower at the convent of San Domenico and brought down the ceiling of the church of Poggio Cono.

Paganica: The baroque church of Santa Maria Assunta in this suburb of L'Aquila was badly damaged, with chunks missing from the pale yellow structure and cracks running through it.

Loreta Apruntino: The quake brought down the bell tower on the church of St. Francis.

Goriano Sicoli: The tremblor badly damaged the facade of the Saint Gemma church, and also destroyed an elementary school.

Saturday, April 04, 2009

Medieval News Headlines

Medieval and Renaissance Forum at Plymouth State University







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Medieval and Renaissance Forum at Plymouth State University

The 30th annual Medieval and Renaissance Forum will be held at Plymouth State University April 24-25. Plymouth-area and PSU community members are invited to attend free, informative sessions on a variety of topics ranging from Alchemy, Kabbalah and Dreams in the Middle Ages to the performance of Renaissance Drama. PSU Professor Karolyn Kinane said the event will be stimulating and fun.

"Where else can you participate in a live chess match, chain mail workshops, and archery demonstrations, then stroll down the hall to learn from renowned scholars about dreams, imagination, and fantasy in the Medieval and Renaissance eras," Kinane said. "This year, outstanding students and scholars from India, Ireland, Canada and all over the U.S. will share their latest research with PSU and the Plymouth-area community."

The keynote talk by Carole Levin, Willa Cather Professor of History at the University of Nebraska, Lincoln, will be on "Haunting Dreams of Women in Early Modern England" and will be held Saturday, April 25, from 1:15-2:15 p.m.

Many events are free and open to the public. Tickets are required for the following events:

Friday: Lunch celebrating 30 years of the Medieval and Renaissance Forum at PSU; Planetarium talk celebrating the 400th anniversary of Galileo's discoveries; Ensemble Chaconne performing the Music of Shakespeare's Plays. This performance will be $12 regular admission and $9 students and seniors.

Saturday: Lunch preceding keynote talk; Medieval and Renaissance Feast featuring Roger the Jester. Kinane noted the Feast offers more than just food.

"In addition to authentic medieval and Renaissance foods, mead, and grog presented in a multi-course meal, we'll have the handwashing and knighting ceremonies and ribald entertainment from Roger the Jester," Kinane said. "This year we're also bringing a Venetian masquerade feel to the feast. Participants can decorate their own masks or draw from the batch of masks we'll provide. And as always, costumes are encouraged! It's a great way to unwind after so two days of lively intellectual exchange and debate."

Go to the Forum website for more information.

Experts unveil new Da Vinci portrait



A previously unknown portrait of Leonardo da Vinci, which shows the artist and inventor as a middle-aged man with long hair, has been found. The painting was discovered in a collection belonging to a family in Basilicata, Italy. Nicola Barbatelli, the medieval historian who found it, said tests showed that it dates to the late 15th or early 16th century, when Leonardo was alive. It will be part of an exhibition of portraits of Leonardo in Vaglio di Basilicata until August.

DNA analysis provides evidence of ancient invasion of Scotland from Ireland

DNA analysis provides evidence of ancient invasion of Scotland from Ireland
3 April 2009
Asian News International

In a new DNA analysis, Scots living on Islay, Lewis, Harris and Skye were found to have strong links with Irish people, thus providing evidence of an ancient invasion of Scotland from Ireland. According to a report by BBC News, the research, which features work by geneticist Dr Jim Wilson, a specialist in population genetics, was the first demonstration of a significant Irish genetics component in Scots' ancestry. The study also suggests intriguing ancestry of Scots living on the Western Isles and in the north and north east of Scotland. "It was extremely exciting to see for the first time the ancient genetic connection between Scotland and Ireland - the signature of a movement of people from Ireland to Scotland, perhaps of the Scots or Gaels themselves," Dr Wilson said. The origin of the Gaels, who by conquering and integrating with Pictish northern tribes created the Kingdom of Alba, has been debated by historians for centuries.

The earliest historical source comes from around the 10th Century and relates that the Gaels came from Ireland in about 500 AD, under King Fergus Mor. However, more recently archaeologists have suggested the Gaels had lived in Argyll for centuries before Fergus Mor's invasion. The study also suggested an east-west genetic divide seen in England and attributed to Anglo-Saxons and Danes was evident in the north of Scotland. This was noted in places far from Anglo-Saxon and Danish settlements, indicating that this division was older and may have arisen in the Bronze Age through trading networks across the North Sea. Geneticists also said as many as 40 percent of the population on the Western Isles could have Viking ancestry, while no Viking ancestry was found in north east Scotland.

Medieval Islamic glass bowl fetches $2.2 million


A 650-year-old decorated glass bucket from Syria or Egypt sold for 1.55 million pounds ($2.2 million) at auction on Wednesday, around double the pre-sale estimate and 20 times what the same item fetched in 2000.

The bucket is actually a glass finger bowl, intricately gilded and decorated with colourful enamels, that dates from 14th century Egypt or Syria. It was made during the Mamluk dynasty that ruled the region from 1250 to 1517.

Passed around during meals attended by the dynasty's elite, an inscription on it reads: "I am a toy for the fingers shaped as a vessel. I contain cool water."

The last time the bucket was sold nine years ago it raised 75,000 pounds at Christie's when it was believed to have been made in France in the second half of the 19th century.

Only four other similar buckets are known to exist and three of them are in major museum collections in Cairo, Lisbon and Kassel, Germany. The location of the fourth bucket is unknown.

Despite the price paid for the medieval glass vessel at Sotheby's, it fell well short of recent Islamic auction highlights.

In October, a 1,000-year-old carved rock crystal ewer fetched 3.2 million pounds, and in April last year a 12th century key to the Kaaba in Mecca, Saudi Arabia, the holiest site in Islam, sold for 9.2 million pounds, then a record for an Islamic work of art at auction.

How Medieval Nuns Invented the Postcard

SUNY Cortland issued the following news release:

Using flowery calligraphy and gorgeous illustrations, medieval women copied countless words of wisdom into manuscripts, a topic medieval scholar Kathryn Rudy will discuss on Wednesday, March 25, at SUNY Cortland.

Rudy, curator of illuminated manuscripts with the National Library of The Netherlands, will give an illustrated lecture on "How Medieval Nuns Invented the Postcard," starting at 5 p.m. in Sperry Center, Room 104.

The presentation is part of the College's celebration of Women's History Month, with a series of films, speakers, workshops and art exhibitions through March 30. Presented by the College's Women's Studies Committee, the events are free and open to the public.

Rudy asserts that Hollywood versions of the Middle Ages often omit women, who were important players in the construction of medieval libraries.

"Imagine the following scene from 'The Name of the Rose': a gaunt monk in a dank monastery bends over a desk, where he is copying a volume of the Consolations of Philosophy, which will become part of a labyrinthine monastic library," she said.

Yet in the centuries before the printing press, nuns as well as monks made books by hand, she said.

"Especially in Northern Europe, women living in monastic communities probably made even more manuscripts than their male counterparts," Rudy said. "Women copied books and, despite having limited access to artistic training, made illuminations."

Rudy's illustrated lecture will show what kinds of images nuns and religious women made in the 15th century and how they used those images in new ways.

Rudy, who lives in London and The Netherlands, has held her current position with the National Library of The Netherlands (Koninklijke Bibliotheek) since 2006.

She graduated from Cornell University College of Arts and Sciences summa cum laude with a bachelor's degree in history of art. She earned masters and doctoral degrees from Columbia University Graduate School of Arts and Sciences. Rudy received a Licentiate in Mediaeval Studies Summa cum laude, ars sacra, from University of Toronto's Pontifical Institute of Mediaeval Studies, St. Michael's College in Toronto.

She also completed residential fellowships as the Samuel H. Kress Professor at The Warburg Institute in London; a post-doctoral fellow in the Departments of Dutch Literature and Art History, Utrecht University; and as the Andrew Mellon Fellow of the Pontifical Institute of Medieval Studies, University of Toronto. Rudy has another underway with the Nederlandse Organisatie voor Wetenschappelijk Onderzoek.

She has lectured and taught around the world.

Rudy has a book forthcoming this year, Nuns' Virtual Pilgrimages in the Late Middle Ages (Turnhout: Brepols) and is the editor of several texts and the author of numerous articles.

Her lecture is sponsored by the SUNY Cortland Art and Art History Department, the Campus Artist and Lecture Series, the Cortland College Foundation, Women's Studies, and the Center for Gender and Intercultural Studies.

For more information about the presentation, contact Barbara Wisch, professor of art and art history, at (607) 753-4316 or barbara.wisch@cortland.edu.

For more information about Women's History Month, contact Mechthild Nagel, director of the College's Center for Gender and Intercultural Studies and interim Women's Studies coordinator, at (607) 753-2013 or mecke.nagel@cortland.edu.

Writings in the Alhambra translated


After 650 years, the wisdom of the Alhambra is revealed
Elizabeth Nash
31 March 2009
The Independent

Visitors to the Alhambra fortress-palace in Granada have for centuries fallen into a reverie before its intricately carved medieval walls, wondering at the meaning of the Arabic inscriptions that adorn them from floor to ceiling. The script that winds round the filigree arches and pillared courtyards is so stylised that it's often difficult to disentangle words from images, and few can decipher the classical Arabic in which they are written.

Now, the carvings have been logged and translated, finally answering the question that has perplexed generations of visitors to Europe's jewel of Muslim architecture: "What are these walls telling me?"

Researchers have produced an interactive DVD that decodes, dates and identifies 3,116 of some 10,000 inscriptions carved on the building that symbolises centuries of Muslim rule in Spain and is today the country's top tourist landmark.

"There's perhaps nowhere else in the world where gazing upon walls, columns and fountains is an exercise so similar to turning the pages of a book of poems," says Juan Castilla, from the School of Arabic Studies at Spain's Higher Scientific Research Council, whose team produced this still-incomplete guide.

Arabic artisans, supervised by poets employed in the 14th-century court of King Yusuf I, drew up the decorative plans and planned the spaces where verses - original, or copied - were to be engraved.

So, what do these words say? "There aren't as many as we thought," Dr Castilla confessed. Inscriptions of poetry and verses from the Koran that have inspired generations represent only a minimum percentage of the texts that adorn the Alhambra's walls, despite the mistaken belief that they are smothered in writings of this kind, he said, presenting his study in Madrid.

Instead the motto of the Nazrid dynasty - "There is no victor but Allah" - is repeated hundreds of times on walls, arches and columns. Isolated words like "happiness" or "blessing" recur, seen as divine expressions protecting the monarch or governor honoured in each palace or courtyard. Aphorisms abound: "Rejoice in good fortune, because Allah helps you," and "Be sparse in words and you will go in peace."

Researchers built upon studies begun 500 years ago by the conquerors of the Nazrid dynasty, who ruled the kingdom of Al Andalus and created this fabulous pile. The Catholic monarchs Ferdinand and Isabella ruthlessly purged Muslims from Spain after 1492, but they were sufficiently curious about their vanquished enemy's heritage, or impressed by the Alhambra's unique beauty, to order specialist translators to study the inscriptions that cover every nook and cranny.

For centuries scholars spent half their life, and ruined their eyesight, scrutinising the messages embedded in the geometric tiles or finely carved in the stonework. Among them are verses by the acclaimed Islamic poets Ibn al-Khatib and Ibn Zamrak, some of which describe the place where they appear, such as the Hall of the Two Sisters, which represents a garden: "Moreover we do not know of any other garden/more pleasant in its freshness, more fragrant in its surroundings,/or sweeter in the gathering of its fruits ..." wrote Ibn Zamrak.

The ceiling represented heaven: "The hands of the Pleiades will spend the night invoking/God's protection in their favour and they will awaken to/the gentle blowing of the breeze./ In here is a cupola which by its height becomes lost from/sight ..." the poet wrote.

Until now, however, efforts to transcribe such verses have revealed only a fraction of the material. With modern technology, including a 3D laser scanner, "we have achieved not so much a discovery as an exhaustive labour that seeks to register all the inscriptions," said Dr Castilla. At the touch of a mouse, everyone from the specialist to the idly curious can now learn the meaning of the ancient words, see exactly where they are located, and how often they are repeated on the walls.

The form of script is also described: angular kufic, whose uprights sprout into decorative foliage, or intertwine; curlicue cursive; or a mixture of forms. In a culture that banned human images, the form as well as the content of the calligraphy was designed to exalt temporal and heavenly rulers.

Kufic is used for quotations from the Koran, which tend to be high up on the walls, while the poetry is nearer the ground - further from heaven, scholars say - in elaborately cursive script.

The DVD takes you on a virtual tour of all the writings, with details (in Spanish only, so far) of when and how each was created. This first volume covers the citadel-palace of Comares. The Palace of Lions, with its renowned courtyard and fountain, follows later this year. The guide is due to be completed, and reissued in one compilation DVD by 2010.

George Kane

Professor George Kane, who has died aged 92, was one of the finest scholars of Middle English of the 20th century and the editor of the definitve text and glossary of William Langland's Piers Plowman. The 14th-century poem, in its three successive versions, is an attempt to explain how to live well, full of Christian teaching, but is also a fierce satire on the corruptions of the age. Kane's work on the complex textual problems presented by the poem was distinguished by exceptional intellectual rigour, and won him a pre-eminent place in the field of textual criticism.

Kane was born in Humboldt, Saskatchewan, in Canada. In 1937 he graduated with first-class honours in English and Latin from the University of Toronto, went on to Northwestern University, Illinois, as a research fellow for a year, and in 1938 moved to Britain, to University College London, where he began work on a PhD supervised by RW Chambers. In September 1939 he enlisted in the British army. He took part in the defence of Calais, where he was badly wounded and captured by the Germans.

A scholarly career that had begun in Canada was substantially developed in PoW camps, where he read avidly in the long stretches of time between trying to escape. At the Laufen camp he worked his way through Tauchnitz fiction reprints. Later, in the Spangenberg camp, he schooled himself through classic French novels and set about learning Italian well enough to read Dante. It was at Spangenberg that he glimpsed at the bedside of a fellow prisoner a photograph of a young woman, Bridget; he met her in London in the spring of 1945, and they were wed in June 1946.

He spent most of his career in the University of London, where he was an influential and greatly respected figure. He became a lecturer with tenure in 1948 and a reader in 1953. During these years he established his reputation as the coming leader in Middle English studies, with the publication of an important paper, Piers Plowman: Problems and Methods of Editing the B-Text (1948), and of a monograph, Middle English Literature (1951), daringly a work of literary criticism at a time when historical and language-based approaches were general.

This work engaged directly with romances, lyrics and Piers Plowman, and was described by a reviewer as "one of the best books so far written on any aspect of Middle English literature".

In 1955 he became Professor of English Language and Literature and head of department at Royal Holloway College, and in 1965 returned to Central London as Professor of English Language and Medieval Literature at King's College. Internationally too he had become known, lecturing in many European and North American institutions, serving on appointment panels, on the editorial boards and councils of learned societies, delivering keynote lectures.

It is not surprising that one of the century's finest Middle English scholars should have been awarded the Sir Israel Gollancz Memorial Prize, the British Academy's prize for English studies, but it is a mark of his distinction that he was awarded the prize twice: in 1963, for his edition of the "A" text of Piers Plowman, and then in 1999, to mark the completion of the three-volume edition of the poem (the B text, edited with E Talbot Donaldson, appeared in 1975; the C text, with George Russell, in 1997).

The writing of Piers Plowman, the greatest alliterative poem from the age of Chaucer, must have occupied most of Langland's adult years. In all three versions the allegorical poem begins in the world, in England, presenting the financial corruption of the "fair field ful of folk", and throughout the dreamer seeks to discover how to achieve salvation. Langland was probably already 30 years old when he wrote the A version (prologue and 11 or 12 passus or sections) and about 45 in the late 1370s when writing the B text (prologue and 20 passus, but almost three times as long as the 2,500 lines that make up the A text), the version most widely known.

The C version, complete by around 1387, is thought to reflect tinkering undertaken on earlier sections of the B text during his final years, when he returned to the Malvern area of his youth. It is longer again, and contains his brief description of living in Cornhill in London, "Kitte and I in a cote, yclothed as a loller [vagabond]". The text of Piers Plowman has survived in some 56 manuscripts. Kane saw every one and transcribed them with an unrivalled precision.

In 2005 he published his glossary to the English vocabulary of the three Langland texts, a superb lexicographical tool. Although Kane's scholarship will be remembered most of all for his work on Piers Plowman, there were other publications of note, not least his Middle English Literature (1951), reprinted for successive generations of undergraduates. With his colleague Janet Cowen, he edited Chaucer's Legend of Good Women (1995), and there were other books and important lectures on Chaucer as well as Langland. A festschrift in his honour, Medieval English Studies Presented to George Kane (edited by ED Kennedy, RA Waldron and JS Wittig) was published in 1988.

He died on December 27, 2009, aged 92, and is survived by Bridget, his wife of 62 years, and their daughter.

Elizabeth Rambo, professor of English at Campbell University, who was a student of George Kane and offers a few words about him here.